I'm probably writing music now for the same reason...

I am, as I've said, merely competent. But in an age of incompetence, that makes me extraordinary.

In an age of incompetence, I've been able to last in this crazy business. I actually know how to play my ax and write a song. That's my job.

As human beings, we need to know that we are not alone, that we are not crazy or completely out of our minds, that there are other people out there who feel as we do, live as we do, love as we do, who are like us.

At the age when Bengali youth almost inevitably writes poetry, I was listening to European classical music.

I'm well past the age where I'm acceptable. You get to a certain age and you are forbidden access. You're not going to get the kind of coverage that you would like in music magazines, you're not going to get played on radio and you're not going to get played on television. I have to survive on word of mouth.

When superstition is allowed to perform the task of old age in dulling the human temperament, we can say goodbye to all excellence in poetry, in painting, and in music.

A lot of music you might listen to is pretty vapid, it doesn't always deal with our deeper issues. These are the things I'm interested in now, particularly at my age.

The age of a woman doesn't mean a thing. The best tunes are played on the oldest fiddles.

I think women should start to embrace their age. What's the alternative to getting older? You die. I can't change the day I was born. But I can take care of my skin, my body, my mind, and try to live my life and be happy.

Few women, I fear, have had such reason as I have to think the long sad years of youth were worth living for the sake of middle age.

Wives are young men's mistresses, companions for middle age, and old men's nurses.