I paint mostly from real life. It has to start wit...

I define nothing. Not beauty, not patriotism. I take each thing as it is, without prior rules about what it should be.

I don't think the human mind can comprehend the past and the future. They are both just illusions that can manipulate you into thinking theres some kind of change.

There is nothing so stable as change.

Every great architect is - necessarily - a great poet. He must be a great original interpreter of his time, his day, his age.

We shape our buildings thereafter they shape us.

Whatever good things we build end up building us.

I don't build in order to have clients. I have clients in order to build.

No architect troubled to design houses that suited people who were to live in them, because that would have meant building a whole range of different houses. It was far cheaper and, above all, timesaving to make them identical.

For many years, I have lived uncomfortably with the belief that most planning and architectural design suffers for lack of real and basic purpose. The ultimate purpose, it seems to me, must be the improvement of mankind.

All architecture is shelter, all great architecture is the design of space that contains, cuddles, exalts, or stimulates the persons in that space.

Engineering, medicine, business, architecture and painting are concerned not with the necessary but with the contingent - not with how things are but with how they might be - in short, with design.

Youth is the gift of nature, but age is a work of art.

It is utterly false and cruelly arbitrary to put all the play and learning into childhood, all the work into middle age, and all the regrets into old age.

Old age is not a matter for sorrow. It is matter for thanks if we have left our work done behind us.

Have regular hours for work and play make each day both useful and pleasant, and prove that you understand the worth of time by employing it well. Then youth will be delightful, old age will bring few regrets, and life will become a beautiful success.