51st State was one that I loved doing because the ...

I decided to give acting a serious, committed try, and soon after, I read the script for 'Lovely and Amazing.' The story was beautiful and honest, and the characters struggled with the same insecurities many women - including me - face. I didn't think I had a chance in hell of being in the film, but I knew I had to go for it.

I was terribly shy when I was growing up, I really wasn't confident with other people and I think I was always afraid of up or not being this very cool, amazing person that I wanted to be.

My dad had this philosophy that if you tell children they're beautiful and wonderful then they believe it, and they will be. So I never thought I was unattractive. But I was never one of the girls at school who had lots of boyfriends.

My parents were really, really cool about supporting what I wanted to do at a really young age. I think I was about 10 when I caught the bug. They would drive me down to New York if there were auditions. When I was 12, I did this show on Broadway called 'High Society,' so we moved to New York for the run of that.

It looks good when you see someone kicking at the age of 51 with no double. It's kinda cool for people to know that past 50 we can keep flexible.

Traveling to Russia and Germany and being able to see the world at a young age was really cool for me, and I really liked that.

I always looked really young for my age. And once I hit 23, 24 and 25, I was then allowed to play the cool 18-year-olds and stuff.

A comfortable old age is the reward of a well-spent youth. Instead of its bringing sad and melancholy prospects of decay, it would give us hopes of eternal youth in a better world.

It is sad to grow old but nice to ripen.

What makes old age so sad is not that our joys but our hopes cease.

Few women, I fear, have had such reason as I have to think the long sad years of youth were worth living for the sake of middle age.