I think taking design out of the studio and really...

Being on Oprah? You realize that there are a couple of types of audience members. There are like the cult people in the audience who are just crying before she gets on. And then there are the people who are playing it cool. I definitely was somewhere in the middle.

So, to really execute design in its highest form and making people feel joy, that's a great reward.

That was always my frustration with so many of these shows, because design is not an ambush... it's a relationship. You have to know how people move and live and work to be able to design for them.

No architect troubled to design houses that suited people who were to live in them, because that would have meant building a whole range of different houses. It was far cheaper and, above all, timesaving to make them identical.

For many years, I have lived uncomfortably with the belief that most planning and architectural design suffers for lack of real and basic purpose. The ultimate purpose, it seems to me, must be the improvement of mankind.

I paint mostly from real life. It has to start with that. Real people, real street scenes, behind the curtain scenes, live models, paintings, photographs, staged setups, architecture, grids, graphic design. Whatever it takes to make it work.

All architecture is shelter, all great architecture is the design of space that contains, cuddles, exalts, or stimulates the persons in that space.

I felt a tremendous sadness for men who can't deal with a woman of their own age.

If you love somebody, you love them. My parents had a 25-year age gap between them and my mum was the breadwinner, my dad the house husband. I'm a strong believer that a good relationship can work, whatever the situation.

My grandparents got married at a very young age, and a lot of what I think about marriage is based on their relationship. I watched them over the years and saw how they dealt with everything together, as a team.