I also take pleasure in the so-called negative pow...

I also take pleasure in the so-called negative power in Grotjahn's work. That is, I love his paintings for what they are not. Unlike much art of the past decade, Grotjahn isn't simply working from a prescribed checklist of academically acceptable, curator-approved 'isms' and twists.

-Jerry Saltz

Art Power

I also take pleasure in the so-called negative pow... meanings

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I also take pleasure in the so-called negative pow... quote in Urdu

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Frequently Asked Questions (FAQ)

Who said "I also take pleasure in the so-called negative pow... "?

"I also take pleasure in the so-called negative pow... " is one of a famous quotes by Jerry Saltz. Complete quote is as follows;
"I also take pleasure in the so-called negative power in Grotjahn's work. That is, I love his paintings for what they are not. Unlike much art of the past decade, Grotjahn isn't simply working from a prescribed checklist of academically acceptable, curator-approved 'isms' and twists."

What is "I also take pleasure in the so-called negative pow... "?

"I also take pleasure in the so-called negative power in Grotjahn's work. That is, I love his paintings for what they are not. Unlike much art of the past decade, Grotjahn isn't simply working from a prescribed checklist of academically acceptable, curator-approved 'isms' and twists." This is a quote by Jerry Saltz which is about Art & Power. He is known to have been associated with numerous other thought provoking quotes on these topics like;

  • Youth is the gift of nature, but age is a work of art.
  • Admiration of the proletariat, like that of dams, power stations, and aeroplanes, is part of the ideology of the machine age.
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What does "I also take pleasure in the so-called negative pow... " mean?

This quote is primarily about Power although it also includes other themes like Art & Power. It is attributed to Jerry Saltz. Complete quote is as follows;
"I also take pleasure in the so-called negative power in Grotjahn's work. That is, I love his paintings for what they are not. Unlike much art of the past decade, Grotjahn isn't simply working from a prescribed checklist of academically acceptable, curator-approved 'isms' and twists."