Initially, it was the unpractical in fashion that ...

I try as much as possible to give you a great basic product and what comes out, I feel, is really amazing.

I think there is always a need for pure design. With pure design, you don't need so much decoration.

It may sound ambitious, but I really hope that modern design will spread all around the globe.

No architect troubled to design houses that suited people who were to live in them, because that would have meant building a whole range of different houses. It was far cheaper and, above all, timesaving to make them identical.

For many years, I have lived uncomfortably with the belief that most planning and architectural design suffers for lack of real and basic purpose. The ultimate purpose, it seems to me, must be the improvement of mankind.

I paint mostly from real life. It has to start with that. Real people, real street scenes, behind the curtain scenes, live models, paintings, photographs, staged setups, architecture, grids, graphic design. Whatever it takes to make it work.

All architecture is shelter, all great architecture is the design of space that contains, cuddles, exalts, or stimulates the persons in that space.

He has a profound respect for old age. Especially when it's bottled.

There was no respect for youth when I was young, and now that I am old, there is no respect for age, I missed it coming and going.

I've an enormous respect for my mother who at the age of 39 raised three children, and I grew up with my grandmother in the household. And so it was a really strong household of women - my poor brother! It was great growing up with so many generations of women.

The older generation had greater respect for land than science. But we live in an age when science, more than soil, has become the provider of growth and abundance. Living just on the land creates loneliness in an age of globality.