As far as friendships go, things change even witho...

I've performed in Auburn Hills, at The Palace, so I haven't really been in downtown Detroit, but I've been able to be here, and I can really see, what the city was. Like, I can feel why Motown started here and how amazing it was.

Since 'Idol' I've gotten used to having an amazing hair and make-up team around me, so I'm starting to get picky. I know what I like now and I'm happy to say 'Could we maybe change that?' if I don't like something. I don't yell or anything, but I think I could definitely start to act a little diva-ish when it comes to my look.

I'd love to do something with Kelly Clarkson because she's been a monumental influence on me. I love how she handles her celebrity. She's not in the tabloids a lot but everyone knows and respects her because she's got an amazing voice. That's something I aim towards.

The great secret that all old people share is that you really haven't changed in seventy or eighty years. Your body changes, but you don't change at all. And that, of course, causes great confusion.

One of the many things nobody ever tells you about middle age is that it's such a nice change from being young.

My notion of a wife at 40 is that a man should be able to change her, like a bank note, for two 20s.

If you're old, don't try to change yourself, change your environment.

My parents were really, really cool about supporting what I wanted to do at a really young age. I think I was about 10 when I caught the bug. They would drive me down to New York if there were auditions. When I was 12, I did this show on Broadway called 'High Society,' so we moved to New York for the run of that.

It looks good when you see someone kicking at the age of 51 with no double. It's kinda cool for people to know that past 50 we can keep flexible.

Traveling to Russia and Germany and being able to see the world at a young age was really cool for me, and I really liked that.

I always looked really young for my age. And once I hit 23, 24 and 25, I was then allowed to play the cool 18-year-olds and stuff.

If you've got to my age, you've probably had your heart broken many times. So it's not that difficult to unpack a bit of grief from some little corner of your heart and cry over it.

So I won an Oscar. It's amazing. I've got that for the rest of my life for a performance I am proud of. It nearly killed me. I am really proud of the film. That's it, moving on.

The art of war is simple enough. Find out where your enemy is. Get at him as soon as you can. Strike him as hard as you can, and keep moving on.

The world is a crazy, beautiful, ugly complicated place, and it keeps moving on from crisis to strangeness to beauty to weirdness to tragedy. The caravan keeps moving on, and the job of the longform writer or filmmaker or radio broadcaster is to stop - is to pause - and when the caravan goes away, that's when this stuff comes.