Computers are scary. They're nightmares to fix, lo...

There comes a point in your moviegoing life where you look at the screen and then you look at the world and you ask, 'What is going on?' You want the movies to show you the chaos and mess and risk and failure that are normal for a lot of us. Generally, the movies hide all of that.

In movies, there are some things the French do that Americans are increasingly incapable of doing. One is honoring the complexities of youth. It's a quiet, difficult undertaking, requiring subtlety in a filmmaker and perception and patience from us.

Sidney Poitier became a star in part by helping black and white Americans negotiate their new relationship in the post-Civil Rights era.

No one ever said on their deathbed, 'Gee, I wish I had spent more time alone with my computer'.

Your car should drive itself. It's amazing to me that we let humans drive cars... It's a bug that cars were invented before computers.

People are craving this great progress in electronics, going after computers, the Internet, etc. It's a giant progress technologically. But they must have a balance of soul, a balance for human beauty. That means art has an important role.

That's what happens nowadays with people working on computers. They can so easily fix things with their mouse and take out all the, 'Oh, somebody coughed in the background we need to take that out' - or somebody hit a bad note. Those are all the best moments.

No architect troubled to design houses that suited people who were to live in them, because that would have meant building a whole range of different houses. It was far cheaper and, above all, timesaving to make them identical.

For many years, I have lived uncomfortably with the belief that most planning and architectural design suffers for lack of real and basic purpose. The ultimate purpose, it seems to me, must be the improvement of mankind.

I paint mostly from real life. It has to start with that. Real people, real street scenes, behind the curtain scenes, live models, paintings, photographs, staged setups, architecture, grids, graphic design. Whatever it takes to make it work.

All architecture is shelter, all great architecture is the design of space that contains, cuddles, exalts, or stimulates the persons in that space.