I have great expectations for the future, because ...

I was very much into buying contemporary art, but I've just decided I want to get rid of it all. Not that it's not great art, but all of a sudden my mood has changed, and I want to go back to seventeenth- and eighteenth-century masters.

I am a sensitive writer, actor and director. Talking business disgusts me. If you want to talk business, call my disgusting personal manager.

It would be great to be able to pass on to someone all of the successes, the failures, and the knowledge that one has had. To help someone, avoid all the fire, pain and anxiety would be wonderful.

We live in an age when to be young and to be indifferent can be no longer synonymous. We must prepare for the coming hour. The claims of the Future are represented by suffering millions and the Youth of a Nation are the trustees of Posterity.

This is the first age that's ever paid much attention to the future, which is a little ironic since we may not have one.

High expectations weren't nurtured in my neck of nowhere back then - children weren't fawned over from an early age as 'gifted' and groomed for a prizewinning future self-esteem was considered something you had to pick from the garden yourself.

A great source of calamity lies in regret and anticipation therefore a person is wise who thinks of the present alone, regardless of the past or future.

How incessant and great are the ills with which a prolonged old age is replete.

The great secret that all old people share is that you really haven't changed in seventy or eighty years. Your body changes, but you don't change at all. And that, of course, causes great confusion.

Every great architect is - necessarily - a great poet. He must be a great original interpreter of his time, his day, his age.

Once I planned to write a book of poems entirely about the things in my pocket. But I found it would be too long and the age of the great epics is past.