Ain't nobody making music to not be heard and the ...

You know, I've learned a lot from every person I've collaborated with, from Madlib to Jean Grae and Hi-Tek, to Mos to DJ Quik, to even somebody like Jermaine Dupri. I've taken something important away from every experience.

I not only wanted to showcase lyrical skills but also continue to drop knowledge on the hiphop community. I'm looking to elevate through my music, and through my music I educate.

You make knowledge relevant to life and you make it important for children to learn things that will really relate to things going on in their lives, and not abstract.

At the age when Bengali youth almost inevitably writes poetry, I was listening to European classical music.

I'm well past the age where I'm acceptable. You get to a certain age and you are forbidden access. You're not going to get the kind of coverage that you would like in music magazines, you're not going to get played on radio and you're not going to get played on television. I have to survive on word of mouth.

When superstition is allowed to perform the task of old age in dulling the human temperament, we can say goodbye to all excellence in poetry, in painting, and in music.

A lot of music you might listen to is pretty vapid, it doesn't always deal with our deeper issues. These are the things I'm interested in now, particularly at my age.