I could do without 'cool' publications calling me ...

Success and the art of making music are two different things for me.

A lot of pop people out there are cool, but they overdo it.

The pop world is cool, but I never really thought of myself as part of it or wanting to be a part of it because I'm on a label that's not really like that. They're not trying to dress me up, they're not trying to do things like that. I feel like I'm sort of separate from that, actually.

My parents were really, really cool about supporting what I wanted to do at a really young age. I think I was about 10 when I caught the bug. They would drive me down to New York if there were auditions. When I was 12, I did this show on Broadway called 'High Society,' so we moved to New York for the run of that.

It looks good when you see someone kicking at the age of 51 with no double. It's kinda cool for people to know that past 50 we can keep flexible.

Traveling to Russia and Germany and being able to see the world at a young age was really cool for me, and I really liked that.

I always looked really young for my age. And once I hit 23, 24 and 25, I was then allowed to play the cool 18-year-olds and stuff.

My inspiration was my mom. She's a great cook, and she still cooks, and we still banter back and forth about cooking. Growing up in a mostly Portuguese community, food was important and the family table was extremely important. At a very young age I understood that.

There are only two things a child will share willingly communicable diseases and its mother's age.

In Hollywood, you play a mom, and the next thing you know, you're on 'The Golden Girls.' They age you so fast.

When you are a mother, you are never really alone in your thoughts. A mother always has to think twice, once for herself and once for her child.